Deptford Northern Soul Club

Offering gimmick free parties up and down the UK; Deptford Northern Soul Club is a new breed soul night for the next generation of party goers. With the aim to bring Northern Soul back into the conversation of modern dance music; expect fast hard hitting soul stompers, heavy perspiration, dance moves you’ve never seen before and a hangover you’ll want to forget. This is the new face of soul brought to you by the next generation, digging through the internet and their parents record collections to bring you a dance music orientated display of the finest trumpets, the heaviest drum breaks and the most deeply heart-wrenching vocals; that you’ve probably heard before.

Deptford Northern Soul Club started in November 2016 with a sold-out show at Bunker Club in Deptford. Due to popular demand they returned to spin records as part of a monthly residency at the club – that still continues on and off to this day! Since then, backed by regular sell-out nights with queues down the street, Will and Lewis took the party to Glastonbury Festival 2017 playing to over 1500 people at William’s Green stage where they were listed as number 20 in the top attractions at the festival.

Since then the boys played at End of The Road Festival, Norman Jay MBE’s Good Times Goes Eastparty in Hackney and at the Q Awards at the Roundhouse in Camden. In November 2017 they went on tour around the UK and Ireland securing them another monthly London based residency.

The summer of 2018 boasted nights at Corsica Studios – London, Menagerie – Belfast and The Junction – Cambridge, to name a few. DNSC also hit the festival circuit to headline the coveted After Dark slot on The Walled Garden stage at Green Man Festival in Wales spinning tunes to well over 1.5k festival goers.

More recently, the boys took their night to Manchester for a monthly residency at YES, cementing themselves in the north with a massive sell out debut all before heading out on a mini pre NYE tour debuting Brighton, Komedia and iconic East London venue, The Shacklewell Arms. DNSC also returned to the Roundhouse, Camden to play at the Q Awards with Idles and Wolf Alice.

In the run up to the summer DNSC joined the campaign to Save The Social raising money to save the iconic Soho venue, hit up the Queens Yard Summer Party in Hackney, and debuted Bristol’s Thekla.June 2019 saw Will and Lewis return to Glastonbury Festival playing five times over the weekend including The Meat Rack in NYC Downlow, William’s Green and the Deluxe Diner in Shangri La.

Velvet Season & The Hearts of Gold

They have captured the imagination of sophisticated music lovers and DJ’s via their acclaimed innovative productions, remixes, and unique collectable special version edits for Hivern Discs, Resista, Golf Channel etc, as well as their bi-monthly radio show on Worldwide FM.

Velvet Season’s musical history speaks for itself – Gerry, alongside DJ Harvey, created and produced the infamous ‘Black Cock’ Records, and Joel, is one half of cult Balearic Exotica duo Quiet Village, alongside Matt Edwards (Radio Slave).

As DJs, VSHOG see no genre boundaries on the dancefloor, and intrinsically understand the power of music to elevate your mind body & soul – Narcotic House Music, New York Disco classics, funky Euro electronica, Tropical booty-shakers, downtempo twilight sleaze, spiritual jazz, and everything in-between!

Gerry & Joel have played the World’s finest nightclubs and festivals over the years both individually and collectively – Panorama Bar/Cocktail D’Amour Berlin, Plastic People/Fabric/ London, Yellow/Vent Tokyo, Sonar Festival Barcelona, Potato Head Beach Club Bali, Deep Space NYC, Lux Lisbon, to name but a few!

RAW SILK

RAW SILK is the alias of best pals Grace and Steph, an ode to one of their favourite 80’s boogie groups. After meeting & spending one glorious year of dance in Melbourne in 2016, back in London these two are rapidly making a name for themselves by digging deep and voyaging to all four corners of dance.

What began as a monthly party in Peckham has now led the duo into raw territory. Grace works at record shop The BBE store in Hackney’s Institute of Light, a dusty treasure trove of soul, jazz, house, disco & electro cuts, and as a result RAW SILK are becoming known as eclectic selectors that play across the board. They know how to add in a few surprises and always keep you moving.

Grace and Steph have been residents for much-loved London boogie crew Percolate since 2017, supporting the likes of Horse Meat Disco, Bicep, Maurice Fulton, Todd Terje, CC Disco, Greg Wilson, Dan Shake, Honey Dijon, Derrick Carter, Nabihah Iqbal, Seven Davis Jnr. + many more.

They bring their left-field grooves & dance-floor sounds to their Netil Radio show every month. 2018 saw them play at clubs and festivals across the UK from fabric & e1, to Sub Club, Gottwood and beyond.

Kiwi

Alex ‘Kiwi’ Warren’s passion for music has been a fire that has long burned within. From humble beginnings as an in-house photographer for the world-famous DURRR club-night, started by Erol Alkan’s much celebrated Trash team, to the runaway success of his own club nights, it’s his prolific productions and genre blending extended dj sets that are now catapulting him into the spotlight.

Warren’s success as a one-man promotions company, cultivating his ever popular club-night, Orlando Boom and its disco-focussed sister night, Kate Boss, caught the attention of The Columbo Group who swiftly appointed him as their booking and promotions manager for The Nest.

Kiwi soon realised that he had more to offer than just his promoter skills and he began to channel his energy into playing and creating music. Releases on Days of Being Wild, Jack Savidge and Edwin Congreave’s highly acclaimed Deep Shit, DFTD, Optimo, Moda Black, Sneaky Music and Virgin EMI followed, and in 2015, his track Short Tail was nominated for Song Of The Year at the DJ Mag Best Of British awards. He’s produced an abundance of remixes for high-profile artists such as; Who Made Who, Locassolus, Paramida, Is Tropical, The Klaxons and more. This incredible output has earned him a wealth of support from some of the scenes biggest names including; Andrew Weatherall, DJ Harvey, Gerd Janson, Daniel Avery, Erol Alkan, Optimo, Rob da Bank, Annie Mac and Skream.

2017 saw the release of his Orca EP on Bristol’s Futureboogie imprint with the title track receiving rave reviews in Mixmag and topping the dance charts on Juno and Beatport for seven weeks. This was swiftly followed by releases on Dusky’s 17 steps, and a vinyl-only release alongside Joakim on DJ Tennis’ Life and Death. As well as being busy in the studio, Kiwi has also been out on the road touring Asia twice, North America and Europe. Add to that a packed festival season and holding down his residency at XOYO in London, Kiwi has carved out a name for himself with his all night long DJ sets that effortlessly blend balearic, disco, house, Detroit techno and everything in between.

2018 has already been a big one for the DJ Mag nominee, with a string of releases gaining notoriety on the likes of Moscoman’s Disco Halal and a new one for 17 Steps, as well as a return to Correspondent and releases on Cin Cin and Toy Tonics to come. With imminent plans for a label of his own, and his uncompromising ability as a selector earning him a solid reputation across Europe, Kiwi is one to watch.

DJ D.DEE

Derek Duncan aka DJ D.DEE is one of the key players in Vancouver’s burgeoning house scene. In addition to being a well-loved local DJ, he’s a record store proprietor, label boss, designer and promoter. Duncan has made his biggest mark with Pacific Rhythm, an online record store and distributor that was started with the aim of making European dance music vinyl more widely available and affordable in North America. Pacific Rhythm eventually grew into a short-lived but internationally recognized brick-and-mortar shop in the heart of Chinatown, a neighbourhood that has since become the hub for Vancouver’s house music scene.

Pacific Rhythm is also a record label that proudly represents its hometown. Helping introduce the world to Vancouver artists like D. Tiffany, Flørist, Neo Image and Slim Media Player, the critically-acclaimed label has been instrumental in establishing these artists worldwide. His deep bond with the city defines his DJ sets, where he mixes the laid-back house of Vancouver with ebullient disco, funk and techno selections for a failsafe, feel-good recipe. It’s no surprise that he remains one of Vancouver’s most sought-after DJs even in the town where he plays the most.

Loods

Raised in the coastal, industrial Australian town of Newcastle (better known as the Steel City), Loods is an understated character with a fun, raw take on dance music.

The last two years have seen Loods go from strength to strength. 2018 began with a relocation to London, before the release of two sell-out records on longtime friend Mall Grab’s Steel City Dance Discs label, a Boiler Room set at London’s iconic Southbank Centre, and mixes for Rinse FM, NTS, Netil Radio and Triple J, amid touring extensively throughout the UK and Europe.

2019 saw the release of another sell-out Steel City Dance Discs EP, as well as summer anthem ‘Walking Away’ on Classic Music Company, which earned Annie Mac’s ‘Hottest Record’ and regular rotation on BBC Radio 1.

With no sign of slowing down, Loods has an arsenal of releases loaded for the next 12 months, including the launch of his own label, and will certainly be one to watch through 2019 and beyond.

Retiree

Retiree is the musical project of three Sydney/ Melbourne mammals: Matt Crowley, Tori Holleman & Marco Vella. Retiree have steadily congealed their broad influences into a unique emulsion of strongly rhythmic and emotional music. From two releases, they’ve been described as “pared back 1980s comfort pop for all occasions” by NOISEY, having “a whole lot of criss-crossing rhythm” by The FADER and containing “swirling synth flourishes, languid wistful vocals and strutting drum machine funk” by The 405.

Retiree have released two 12″s both locally & internationally; Retiree EP (2013) on Plastic World followed by This Place EP (2015) on Rhythm Section International/Plastic World. Following the release of their single Jan in 2017, 2018 sees their return with House Or Home, released by Rhythm Section International.

The album’s songs explore the theme of “house or home” and what that means in present day Australia for different people. They journey from an aboriginal tent embassy on the south coast of New South Wales, a retirement village, a one room flat in Ringwood and a sleepless 17 hour stop over in Malaysia. Their live set throws all their keyboards, guitar pedals and woodblocks on stage, resulting in long-legged convulsing to a drum machine under honest lyrics.

Retiree have teamed up with director Joey Knox and cinematographer Jesse Gohier-Fleet to create a series of interconnected film clips. Unraveling an intricate web of stories, the visuals pair seamlessly with the songs.

Route 8

Gergely Szilveszter Horváth has been making a name for himself under a number of guises such as Route 8, Q3A and DJ Ciderman for labels such as Lobster Theremin, Nous, Fabrwechsel and Delsin for a number of years.

The Hungarian producer has dipped his toes into a number of genres in this time touching on lo-fi through to electro, breakbeat, techno and anything in-between but always heavily leaning towards his love for house. With his most recent release as Route 8, Lobster Theremin’s 50th, a sprinkling of disco and balearica has been added for his most assured productions to date which shows as an artist who continues to make music perfect for the dance floor.

With both his DJ sets and live sets he has travelled the world playing at some of the most respected clubs such as Bassiani, Concrete, Sub Club, Blitz, Corsica Studios, Panorama Bar, Le Sucre and Robert Johnson. With more releases planned for 2018 under both Route 8 and DJ Ciderman and his debut Route 8 album planned for 2019 the future looks very bright indeed.

John Gómez

John Gómez is one of the most exciting new voices emerging in London’s music scene. Originally from Madrid, John has for a long time been admired by those in the know. Dubbed “one of London’s best kept secrets” by Boiler Room, he is trusted by essential tastemakers and has close ties to key Amsterdam institutions Rush Hour and Music From Memory. His excellent criteria as a selector has earned him the hot seat on the Rush Hour show on NTS Radio, where he has hosted guests like Hunee, Soichi Terada, Sassy J, and Volcov.

We also know John for having a good nose for incorporating musical sounds that have yet to be explored into his repertoire. Proof of this is his compilation Outro Tempo: Electronic and Contemporary Music from Brazil, 1978-1992, released in 2017 on Music From Memory. This album was hailed by Gilles Peterson as the compilation of the year and featured highly in many end of year lists, including Wire, Resident Advisor, FACT, Vinyl Factory, and Phonica.

John is not, however, just a digger or Brazilian specialist, he is a versatile DJ whose collection enables him to pack a bag that is always dance-ready and, should it need to be, can be traceable to a particular period, place, or style. This has secured him invitations to play around the globe and at parties as diverse as Dekmantel Festival, Rhythm Section, or Sofrito. However, John feels very much connected to London as a DJ and for the past three years he has also run Tangent with esteemed DJ and digger Nick the Record. Tangent is one of the city’s most joyous celebrations of after-hours dancing, a unique place to journey into the deepest corners of disco, afro, and house.

Pional

Pional aka Miguel Barros – multi-instrumentalist, empyrean vocalist, top- drawer DJ, composer and producer – was at one time Spain’s best kept electronic underground secret. His prodigious talents came to the fore in 2010 with releases over two years via close confidant John Talabot’s Hivern Discs and Munich’s Permanent Vacation.

Sprawling across the washed house and disco spectrum, they traced a line between Moodymann, Matias Aguayo, Caribou and Grizzly Bear. 2012 also saw Pional grace Talabot’s acclaimed debut album “Fin” on the tracks ‘Destiny’ and ‘So Will Be Now’ – the latter, another gem in an ever expanding catalogue that has won the approval of James Holden, James Murphy and Tim Sweeney (Beats In Space) to name a few.

Not content with success on wax, Pional was an integral part of Talabot’s celebrated live show that opened for The xx and toured the US & Europe throughout 2012 with the performance featuring prominently in Resident Advisor’s “Top 20 live acts of 2012”. Now firmly an electronic mainstay and top- billing DJ in his own right, Pional returned to his Lost Scripts alias with Talabot to release his debut EP on Young Turks in 2014. The same year he wrote a song for the Divina Pastora Marathon in Valencia (Spain); released a collaborative EP with Henry Saiz; and unveiled a slew of edits of Little Dragon, Rosie Lowe, Jessie Ware, Empress Of and more, including Jamie xx the following year.

2015 saw something of a homecoming with Pional headlining Boiler Room’s showcase at Primavera – something of a local legend nowadays, he’s annually found closing out the festivities. In 2016, with another Lost Scripts 12” on the way he’s also released a new track on Counter Records (home to Howling, Maribou State and David August).